藏經谷――試論四川安岳臥佛院遺址之一面向
Valley of Buddhist Canon: A Discussion on One Facet of the Reclining Buddha Monastery in Anyue, Sichuan

四川安岳臥佛院遺址全長近1,000公尺，目前尚存138個大小各異龕窟及墓塔，有刻經窟15座以及數則唐開元時期（713-741）題記。臥佛院此時期刻經總字數已達三十餘萬字，能與北京房山石經同時期完成的刻經字數相媲美。間錯在刻經窟旁的佛雕不僅工藝精美，其部份更顯示了早期風格之造詣，使該遺址的宗教與歷史蘊涵更為豐富，企待深耕。
自二十世紀八十年代起，個別學者與調查團隊相繼發表研究論文及考古報告，我們得以掌握該遺址的地上現狀。然而，整個遺址的性質與功能，尚無定論。它既具有「靈園」的特徵，亦有作為禮儀道場的實物及文字證明。可見，該遺址具有多重面向。
本文首先綜述該址的學術史，簡單梳理前賢的研究之功。次而概覽全址，並重點詮釋每一岩石塊上的經像組合關係，以探討其信仰內容。最後以歷史刻銘與實物證據進行論述，該址不僅具有「經文崇拜」的特徵，也具有「經本崇拜」、「藏經崇拜」的信仰內容，故而展現「藏經之谷」之一面貌。

The site of the Reclining Buddha Monastery (Wofo Yuan 臥佛院), located in Anyue County, Sichuan Province, is nearly 1,000 meters in length, with 138 extant caves, niches, and tomb pagodas of various sizes. The site features 15 sutra caves with several colophons dating back to the Kaiyuan 開元 era (713-741) of the Tang Dynasty. By the mid-eighth century, the sutras carved at Wofo Yuan contained more than 300,000 characters, comparable with the total number of characters of the stone sutras at Fangshan near Beijing that were completed by the same time. The Buddhist sculptures situated next to the carved sutras are not only exquisitely crafted, but some also demonstrate styles from around the mid-seventh century. These features enhance the religious and historical significance of the site.
Since the 1980s, both individual scholars and investigation teams have published research papers and archaeological reports on this site. Benefiting from this work, we now have a basic account of the extant archaeological finds on its surface. However, the nature and function of the site as a whole are still inconclusive. It has both the characteristics of a cemetery and material and textual evidence to suggest a site of ritual practice. We can therefore conclude that the site serves multiple purposes.
This paper first summarizes the earlier research results and briefly reviews the scholarly contributions on this site. It then discusses its religious landscape, with a focus on the relationship between the sutras and images arranged on each of the rocks. Finally, on the basis of textual and material evidence, it is argued that the site not only functions according to the “cult of the text,” but also the “cult of the book” and the “cult of the canon,” thus suggesting that it can be also perceived as a “valley of Buddhist canon.”

三峰派仁山寂震《仁山和尚寶華語錄》解析
A Study on Renshan Jizhen’s Renshan Heshang Baohua Yulu
 

　　本文以新近發現的仁山　（寂）震（1631-1697）《仁山和尚寶華語錄》文獻為研究對象，進行文獻考據、內容解讀與參禪鍛鍊特色分析。仁山寂震為清初臨濟宗三峰派第三代，乃第二代剖石弘璧（1599-1670）之重要法嗣，畢生著作等身，包括《金剛三昧經通宗記》、早晚期的語錄、詩集《華頂和尚山堂舊稿》、《仁叟禪師華頂別集》，以及《三峰燈史》等七部103卷燈錄史籍，為康熙前期（1661-1691）引領宗派著作的關鍵人物。其中，《仁山和尚寶華語錄》為呈現其早期參禪鍛鍊特色的完整作品，現存四種版本。
　　本文首先考據《仁山和尚寶華語錄》的文獻版本、所紀錄之時空背景，次解讀其內容要點，並分析仁山寂震對禪門鍛鍊典範的抉擇、自我定位與特色。本文主要發現如下：三峰派仁山寂震以多元變通方法鍛鍊禪眾，融通直指與種種方便，以其師剖石弘璧為典範，建構直截與方便雙放雙收的鄧山之法，不論直指、棒喝、五家綱宗、臨濟語句、經教等，皆得用以接人。本文冀能釐清仁山寂震參禪鍛鍊的特色，並補充目前三峰派研究於剖石弘璧傳承較為不足之處。

This paper is a study on Renshan Jizhen’s仁山寂震 (1631-1697) recently discovered Renshan Heshang Baohua Yulu 仁山和尚寶華語錄. By examining its content as found in four different versions, this paper aims to clarify Renshan Jizhen’s thought and his Chan teaching methods. Renshan Jizhen was not only an important dharma-heir of Poshi Honbi 剖石弘璧 (1599-1670), but also one of the most influential masters among the third generation of the Sanfeng lineage in the early Qing Dynasty. As a prolific author, his works span more than 160 volumes including “A Commentary on the Jingan Sanmei Sutra,” i.e., Jingang Sanmei Ging Tongzong Ji 金剛三昧經通宗記, the “Mahā-Prajñāpāramitā Repentance,” i.e., Dabore Chanfa 大般若懺法, as well as collections of poems, recorded sayings and lamp transmission stories. Among these works, Renshan Heshang Baohua Yulu represents a complete work on the early stages of Chan practice. By exploring Jizhen’s self-positioning as Chan master and analyzing his Chan teaching style, this paper proposes that Jizhen’s teachings employed both directly pointing to a person’s mind and skill-in-expediency, including beating-and-shouting, huatou 話頭, Chan principles and scripture teaching. He viewed Poshi Honbi as his main role model and developed a structure of Chan practice that represented Dengshan鄧山, with flexible application of diverse expediencies and directly pointing to mind.

明通潤《維摩詰所說經直疏》之朝鮮刊本考
A Preliminary Study of the Carving and Printing of Tongrun’s Weimojie Suoshuojing Zhishu in the Chosŏn Dynast

本論文主要圍繞朝鮮時代《維摩詰所說經直疏》的刊刻而展開，分別從朝鮮時代（1392-1897）的佛經刊刻及其刊本的特點，朝鮮時代刊刻《維摩詰所說經直疏》的相關人物，以及韓國現存的《維摩詰所說經直疏》刊本等幾個方面進行了詳細的探討。
目前，韓國國內可知出處的《維摩詰所說經直疏》有刻本十三部、影印本一部。當然這還不是全部，相信以後還會有該經其他藏本的問世。此外，韓國以外的藏本情況，目前可知有臺灣中央研究院以及法國各自藏有一部朝鮮時代刊刻的《維摩詰所說經直疏》。而朝鮮刊本底本的來源地──中國，則未見相關覆刻本的出現，可知朝鮮刻本之珍貴。

This paper is mainly concerned with the carving and publication of the Weimojie suoshuojing zhishu 維摩詰所說經直疏in the Chosŏn Dynasty. It discusses in detail the carving onto woodblock of Buddhist scriptures in the Chosŏn Dynasty, the figures involved with the carving of the Weimojie suoshuojing zhishu, and the surviving copies of the Weimojie suoshuojing zhishu in Korea.
At present, there are 13 woodblock editions and 1 photocopied edition of Weimojie suoshuojing zhishu with known provenance in Korea. Of course, this is not all, and I believe that there will be more publications of this collection in the future. In addition, as for the collections outside Korea, it is currently known that Taiwan and France each have a woodblock edition of Weimojie suoshuojing zhishu made in the Chosŏn Dynasty. Despite being the original source of the text, China has not seen the appearance of the relevant reprints, which shows the preciousness of the Korean woodblocks.

宋代《文殊指南圖讚》刊本對〈入法界品〉的圖文表現與運用
The Presentation and Usage of Icons and Text in Wenshu Zhinan Tuzan in the Song Dynasty

《文殊指南圖讚》（以下簡稱《圖讚》）現存宋代刊本，由佛國惟白禪師（活躍1038-1101）作讚、張商英（1043-1122）作序，後收錄於《大正藏》和《續藏經》之中。本文以吉石盦叢書本《圖讚》為研究對象。《圖讚》題材取自《華嚴經‧入法界品》，以文為主、圖為輔的手法來詮釋佛教典籍，記述的內容是善財童子五十三參――這個充滿精進求道精神的佛經典故。此文本不僅為少數研究佛國惟白思想的重要參考文獻之一，其內容也顯示了此時宗派間佛學的融合之勢――援引華嚴義理以為禪宗思想之闡發，這同時也是中國禪宗發展史上一個重要的議題。
本文藉由解析《圖讚》之圖文內容與印刷版式，進一步探討宋代禪宗由於受到政治、社會形勢的變化，以及印刷技術發達與公案普及的影響，進而促進了傳播方式的革新與義理詮釋方式的改變，賦予了佛經新的風貌，最後論及文本中如何運用〈入法界品〉的內容，以行使「藉教悟宗」的目的。

Chan master Foguo’s Wenshu Zhinan Tuzan文殊指南圖讚 (Chan Master Foguo’s Illustrated Verses of Praise on the Teaching of Manjuśrī, hereinafter referred to as Tuzan) was prefaced by Zhang Shangying (1043-1122) and published in the Song Dynasty. It is now included in the Xuzangjing (The Dainihon Zokuzokyo) and Taishō Tripiṭaka. The version used in this paper is the Jishian version. The Tuzan takes as its subject matter the “Entry Into the Realm of Reality” chapter of the Avatamsaka Sūtra, which describes the fifty-three visits of Sudhana-sresthi-daraka. This text is not only one of the few important references for studying the thought of Master Foguo, but also shows the trend of integration of Buddhism among different sects at the time. Huayan thought is often used to elucidate Chan thought, which is also an important topic in the history of Buddhism. By analyzing the content of the Tuzan, this paper extends the discussion to explore how Chan Buddhism in the Song Dynasty, due to technological developments and the prevalence of gongan 公案 practice, led to innovations in the communication and interpretation of its philosophy, which gave rise to a new form of Buddhist scripture. Finally, the paper discusses how to apply the content of the Gaṇḍavyūha to the purpose of “realizing in the Chan via learning Buddhist doctrine 藉教悟宗.”

「解脫與療癒：佛教與心理學對話」研討會紀要

北宋《開寶藏》與金《趙城藏》、《高麗初雕藏》、《高麗再雕藏》的構成與版本
The Compositional Relationship between the Kaibao Canon開寶藏, the Zhaocheng Canon趙城藏, the First Tripiṭaka Koreana高麗初雕藏, and the Tripiṭaka Koreana高麗再雕藏

本文考察了北宋《開寶藏》、金《趙城藏》、《高麗初雕藏》與《高麗再雕藏》四者所收錄經典之間的構成關係，並指出上述藏經之間收錄經典的相異之處。除此之外，筆者也對《高麗再雕藏》中發生變動的經典、《高麗初雕藏》與《高麗再雕藏》的底本和板刻比較，並對《再雕藏》經典的數量等相關內容進行討論。 一般來說，金《趙城藏》、《高麗初雕藏》與《高麗再雕藏》被認為是北宋《開寶藏》的「覆刻藏」版本。但是迄今為止，對於這一「覆刻」的具體情況，學界的相關研究成果還沒有做出明確的說明。筆者對照上述四種大藏經中不同版本的《御製秘藏詮》以及《廣弘明集》等經典的文字內容，認為《開寶藏》至少有「開寶藏原本」、「開寶藏修訂本」、「開寶藏再修訂本」三種版本。再者，《趙城藏》是「開寶藏再修訂本」的覆刻本，而《高麗初雕藏》、《高麗再雕藏》則是在對「開寶藏原本」或者「開寶藏修訂本」的修訂、覆刻本基礎上，重新刻板而來的。

This article mainly examines the compositional relationship between the Kaibao Canon (開寶藏), the Zhaocheng Canon (趙城藏), the First Tripiṭaka Koreana (高麗初雕藏), the (now called) Tripiṭaka Koreana (高麗再雕藏), and their differences. It also examines the variant parts in the Tripiṭaka Koreana, the original and woodblock versions of the First Tripiṭaka Koreana and the Tripiṭaka Koreana, as well as the total number of scriptures of the Tripiṭaka Koreana. Generally, the Zhaocheng Canon, the First Tripiṭaka Koreana, and the Tripiṭaka Koreana are referred to as “re-carved” versions of the Northern Song Kaibao Canon. However, thus far, no clear explanation has been offered as to the specific circumstances of these “re-carving” events. Based on a comparative study of the Tripiṭaka scriptures, the author believes that the Kaibao Canon comprises the original version of the Kaibao (Canon), the revised version of the Kaibao, as well as the re-revised version of the Kaibao. The Zhaocheng Canon is a recarving of the Kaibao, and the First Tripiṭaka Koreana and the Tripiṭaka Koreana are based on the revision and recarving of either the original Kaibao or its revised version.

明清耶穌會的「補儒絕佛」──以《丙寅（1686年）會課》中的「持齋」問題為例
“Complementing Confucianism and Rejecting Buddhism” by Ming-Qing Jesuits: Research on the Teaching Sessions in 1686; the Question of Fasting

最近明清宗教研究從僧侶轉向了民間社會。本文介紹清初南京天主教學校的背景，並且分析十六位天主教學生對佛教齋戒問題所寫的作業。他們的聲音雖然以匿名的形式出現，但是展示了天主教借用儒家經典來駁斥佛教和民間宗教的齋戒，使儒家經典成為判分佛教與天主教的持齋問題的最高權威。

Research on religions in the Ming and Qing has recently shifted from clerics to civil society. This paper presents the background of a catholic school in Nanjing at the beginning of the Qing Dynasty, and analyzes the assignments written by 16 students about the Buddhist fast. Their voices are anonymous and yet reveal how Catholicism borrowed from the Confucian classics to denounce the Buddhist fast, giving to the Confucian canon the highest authority to differentiate between the Buddhist and Catholic practice of the fast.

善惡不二——幽溪傳燈論真實性惡
The “Non-Duality of Goodness and Badness”: Youxi Chuandeng 幽溪傳燈 on the Badness Inherent in Reality

本文探討明朝學問僧幽溪傳燈（1554-1628）所主張的天台教法中的「真如」（梵文：tathatā）。所謂「真實便是如此」，其中「真實」包含了「性惡」的意思。傳燈在天台教辨惑學文章的代表作《性善惡論》中，開展出諸法實相的教義；他認為法的構成包含了一切真實，也認為法的性德同時具有性善與性惡。傳燈認為人生中的「苦」是由於法中性惡的緣故。傳燈如此做也維護了天台教法的基本立場，也就是認為要從生命的苦當中解脫，與法中性惡離不開關係。

This paper examines the arguments developed by the Ming-Dynasty Buddhist scholar-monk Youxi Chuandeng 幽溪傳燈 (1554-1628) in order to establish the Tiantai Buddhist doctrine that “thusness” (Skt. tathatā; Chi. zhenru 真如) —“reality as it really is” (zhenshi 真實) — contains “inherent badness” (xing’e 性惡). In his seminal tract of Tiantai Buddhist apologetics, the Treatise on Goodness and Badness Inherent in Nature (Xing shan e lun 性善惡論), Chuandeng develops the doctrine that the “dharmas” (fa 法) — the basic constituents that comprise the entirety of reality — have coexisting “dispositions” (xingde 性德) of “inherent goodness” (xing shan 性善) and inherent badness. Chuandeng argues that the “unsatisfactoriness” (Skt. duḥkha; Chi. ku 苦) of life as it is ordinarily lived is due to the activation of the inherent badness within the dharmas. In so doing, Chuandeng upholds the Tiantai teaching that the “liberation” (Chi. jietuo 解脫) from the unsatisfactoriness of quotidian life is contingent upon an engagement with the inherent badness in the dharmas composing reality.

「佛教與暴力」之研究評述與方法省思
A Review of Research and Methodological Reflection on Buddhism and Violence

佛教與暴力，自二戰以來，成為世界佛教研究關注的熱點議題，也形成了一定的問題意識與研究範式，本文嘗試對上述內容進行研究評述與方法省思，以探求討論「佛教與暴力」問題的最佳路徑：認識到文本中心、「純正佛教」的研究限制、從實體主義轉向功能主義、在中西哲學視閾下的多音詮釋路徑。最後回到中國歷史情境，儘管近代民族國家興起中的佛教暴力有其獨特的背景，但也非新事物，而有其更早的淵源。考察中古時期，尤其是魏晉南北朝、中晚唐乃至五代宋初等政治結構鬆動、文化活躍、民族融合時期的佛寺、僧人介入暴力衝突、戰爭問題，不僅有助於深入理解中國佛教的特徵及社會功能，也對思考近代的佛教與暴力問題具有重要參考價值。本文關心的是在當前既定的佛教學 術話語下，探尋中國「佛教與暴力」的問題意識的特殊價值及對其展開研究的最佳方法。

“Buddhism and violence” has become a popular topic in Buddhist studies since World War II, and has developed a certain problematics and its own research paradigm. This paper attempts to review and reflect on some recent researches in order to explore the best way to discuss the issue of “Buddhism and violence.” This review points out the limitations of text-centered approach and its construction of “Pure Buddhism.” It also suggests to move from a substantive approach to a functionalist approach, and explores polyphonic hermeneutical paths in the context of Chinese and Western philosophies. Finally, I went back to the Chinese historical context. Although Buddhist violence in the emergence of the modern nation-state has its own unique context, it is nothing new, but rather has a much earlier origin. Through examining the involvement of Buddhist monasteries and monks in violent conflicts and wars during the Medieval China will not only help gain a better understanding of the characteristics and social functions of Chinese Buddhism, but also provide an important reference in dealing with “Buddhism and violence” in the modern era. This paper reviews the recent researches and reflects on their methods. It also explores the best ways to study it in the context of the established Buddhist academic discourse.

異文的類型分析與藏經的源流考辨──以《集沙門不應拜俗等事》諸本對勘為例

An Analysis of the Types of Variant Readings and an Investigation into the Origins of the Canons: Taking the Collation of the Various Editions of Ji shamen buying baisu dengshi 集沙門不應拜俗等事 as an Example

《永樂北藏》的題記、牌記研究
The Yongle Northern Canon: Its Colophons and Inscriptions

趙氏真孤──從〈明白菴記〉論繼起弘儲之禪學思想與傳承
The Orphan of Zhao: A Study of Chan Master Jiqi Hongchu’s Thought and its Derivation through his “Mingbai an ji”

呪文は話頭である──明末清初中国仏教における禅と密教の会通
Mantras and Huatou: A Confluence of Chan and Esoteric Buddhism in the Late Ming and Early Qing

晚清臺灣齋堂題匾之官紳
Officials and Local Gentries Inscribed on Zhaitang Plaques During the Late Qing Dynasty

明末漢月禪師《三峰和尚心懺》略探和點校
A Preliminary Study of the Late Ming Chan Master Hanyue’s Mind Repentance Ritual

明清因明史上被忽視的一環——明釋真貴《因明入正理論集解》評析
An Forgotten Link in the History of Buddhist Logic in the Ming and Qing: Zhengui’s Ming Commentary on the Yinming ru zhengli lun

《徑山藏》文獻特色與史料價值
The Literary Features of the Jingshan Canon and its Value as a Historical Source

《佛說長壽滅罪護諸童子陀羅尼經》與佛教產孕觀──兼論與大理叢書本《佛說長壽命經》之關聯
On The Sūtra of Erasing Sins and Protecting Children for Longevity Taught by the Buddha and its Dali Recension: An Indigenous Buddhist View of Childbirth and Abortion

近世初期日本禪僧南浦文之（1554-1620）詩文集中的東亞圖像與個人生活
The East Asian Imagery and Life in the Collected Poetry of the Early Modern Japanese Zen Monk Nanpo Bunshi (1554-1620)

《開寶藏》成都雕造考
From Manuscript to Print: The Carving of the Kaibao Canon in Tenth Century Chengdu

半生幸入三峰社──從晦山戒顯看清初遺民僧的日常生活
The Daily life of a Loyalist Chan Monk in the Early Qing: Huishan Jiexian of the Sanfeng Lineage

晚清華僧移民大馬的宗派研究──以漳州南山寺「喝雲派」為中心
The Heyunpai Lineage from Nanshan Temple in Zhangzhou: A Study of Chinese Buddhist Lineages in Malaysia during Late Qing Dynasty

再製與變異──越南漢傳佛教典籍的轉化
Reproduction and Alteration: The Transformation of Chinese Buddhist Texts in Vietnam

佛教藏經的探索與研究──數位世界中傳統研究方法的審思
Exploration of Buddhist Texts: Traditional Methods in a Digital World

關於《續藏經》的底本問題──以《名僧傳抄》為例
On the Base Edition of the Xuzangjing: As Seen from the Mingseng chuanchao

《佛光大藏經‧入藏目錄》考
A Study on the Compiling of the Fo Guang Buddhist Canon Catalogue

人工智慧視角下的佛教大藏經
Buddhist Tripitaka from the Perspective of Artificial Intelligence

以資料鏈結發展智慧時代佛教經典數位研究資源
Using Linked Data Technology to Develop Buddhist Digital Resource in the Digital Era

試評《近世的佛教：開展新視界的思想與文化》
Review of Buddhism in early modern Japan

新七卷第一期編輯後記

三部《雜阿含經》（《大正藏》99、100、101）原語問題及其所屬部派之考察

元代禪宗清規祈禳儀式的標準化
The Standardization of Rituals in Pure Regulations Texts of the Chan School during the Yuan Dynasty

十六至十七世紀耶穌會士的東亞佛教觀
The Jesuit Image of East Asian Buddhism in the Sixteenth and Seventeenth Centuries

十七世紀朝鮮半島華嚴學的盛行與《華嚴疏鈔》的刊印
The Prevalence of Huayan Studies on the Korean Peninsula in the 17th Century and the Publication of the Huayan shuchao

Infiltrating the Hermit Kingdom: The Penetration of Chinese Buddhist Texts into Seventeenth Century Korea

新六卷第二期編輯後記

稱之以「漢」──禪典表人名詞「漢」溯源
The Origins of Using “Han” as an Appellation in Chan texts

唐末五代至宋元之際的維摩圖像探討
An Exploration of Vimalakīrti Imagery during the Late Tang, Five Dynasties, Song, and Yuan Periods

Étienne Lamotte: Translator of the Da zhidu lun

明清嘉興楞嚴寺《嘉興藏》之刊印與其海內外流通
The Publication of the Jiaxing Edition of the Buddhist Canon in the Ming and Qing Dynasties and its Domestic and Overseas Circulation

「龍子」與「舍利」──萬曆二十年紫柏真可的努力和局限
From Longzi to Relic: Master Zibo Zhenke’s Endeavors and their Limits in the 20th year of the Wanli Period

清代治臺初期的佛教──以《蓉洲詩文稿選輯‧東寧政事集》為中心
Buddhism in Taiwan during the Early Qing: in Light of the Newly Discovered Dongning zhengshi ji

越南所藏明清佛教稀見文獻初探
A Preliminary Study of Ming and Qing Chinese Buddhist Texts in Vietnam

2019 International Conference on Buddhist Canons

新六卷第一期編輯後記

試探西晉竺法護譯《正法華經》的原語面貌
Features of the Underlying Language of Dharmarakṣa’s Chinese Translation of the Lotus Sutra (286 C.E.)

竺法護是否修訂過T474？
Was T474 Revised by Dharmarakṣa?

從平行梵本看支譯《維摩詰經‧菩薩品》所謂「『是』後置特殊判斷句」的真實句法語義結構
The True Syntactic and Semantic Structure of the “Special Panduan Sentences with Postpositive Shi” in Zhi Qian’s Chinese Translation of the Vimalakīrtinirdeśa in Light of its Sanskrit Parallel

同經異譯與佛經音義研究──以慧琳、可洪《道地經音義》為例
Using Multiple Chinese Translations of Sutras to Study the Daodi jing yinyi by Huilin and Kehong

論漢譯佛傳入胎相之白象符號意涵
On the Symbolism of the White Elephant in Chinese Translations of the Buddha’s Biography

十八世紀初巴黎外方傳教士顏璫《中國宗教四論》手稿論佛教
Discourse on Buddhism in the manuscript Religione Sinica (early Eigteenth century) by Charles Maigrot, MEP

Mad but not Chan: Tu Long (1543-1605) and the Tiantai School of Buddhism

新五卷第二期編輯後記

《維摩詰經》的身份話語：一個文學社會學的解讀—以Ratnâkara的身份敘事為例—
A Literary Sociological Interpretation of Identity in the Vimalakīrtinirdeśa Sūtra: The Narrated Identity of Ratnâkara

雪嶠圓信法系與《據源錄》
The Dharma Lineage of Xueqiao Yuanxin and the Record of Juyuan

Ryōō Dōkaku了翁道覚 (1630-1707), Ascetic, Philanthropist, Bibliophile, and Entrepreneur

明清三峰派稀見文獻解題（一）
An Introduction to Eight Rare Texts from the Sanfeng Chan Tradition in the Ming and Qing Dynasties (Part I)

《禪宗雜毒海》的版本及其相關問題
Versions of the Chanzong zadu hai and Related Issues

日本黃檗三祖慧林性機生平著作考述
A Study of the Life and Works of Erinshōki, the Third Patriarch of Obaku Zen in Japan

Sanskrit Grammar in Early Modern East Asia—a Study of Kiben’s Guidelines for Studying the Eight Cases of the Chinese Language

1940 年代的僧裝改革風波
The Reform Controversy over Buddhist Monastic Robes in the 1940’s

新五卷第一期編輯後記

科判出現前中國佛教注經方法研究
Approaches to Annotating Buddhist Texts before the Rise of Structural Analysis (kepan)

《維摩詰經》中「異」與「惡」之語意探析
A Study of the Polysemes yì 異 and è 惡 in the Vimalakīrtinirdeśa

從玄應對《維摩詰經》漢譯三本語詞 差異的辨析釐定《玄應音義》性質
A Study of the Opinions in Xuanying’s Yinyi on the Terminology in Different Chinese Translations of Vimalakīrtinirdeśa

北朝時期的維摩詰經美術研究—以 單體造像作品為中心
Visual Representation of the Vimalakīrti Nirdeśa Sūtra in Freestanding Sculptures during the Northern Dynasties

唐宋佛教居士形象的兩個人物—王維與蘇軾
Wang Wei and Su Shi: Two Images of Lay Buddhism in the Tang and Song Dynasties

『維摩経』と在家仏教
The Vimalakīrtinirdeśa and Lay Buddhism

明末清初嘉興藏刊刻與江南士族
The Carving of the Jiaxing Edition of the Buddhist Canon and the Patron Families in Jiangnan Area in the Late Ming and Early Qing

論證與釋義：江戶時期基辨與快道《觀所緣緣論》註疏的研究
Syllogism and Exegesis in Kiben’s and Kaidō’s Commentaries on Dignāga’s Ālamabanaparīkṣa Verses 1-3

空印鎮澄(1547-1617)的學思根本方法析論：以《物不遷正量論》為中心
An Analysis of Kongyin Zhencheng’s (1547-1617) Intellectual Methodology Focusing on his Wu bu qian zhengliang lun

佛教齋戒能否融入天主教？—以1668 年「廣州會議」與聶仲遷的報告為例
Could Catholics adopt Buddhist vegetarianism? The Canton Conference and Adrien Grelon’s report of 1688

新四卷第二期編輯後記

菩薩 と三乗
The Bodhisattva and the Three Vehicles

葬式と仏教
Funeral Rites and Buddhism

『維摩経』の今日的意義：世に住む維摩―「行動する仏教」への視点
The Contemporary Significance of the Vimalakīrti-nirdeśa: Vimalakīrti Staying in the world as a Perspective on Engaged Buddhism

單注到集注：從敦煌吐魯番寫本遺存看僧肇《注維摩詰經》的流傳
From Single-author Commentaries to Multi-author Commentaries: The Development of Sengzhao’s Commentary on the Vimalakīrti Nirdeśa Sūtra in Light of Manuscripts from Dunhuang and Turfan

滿文本《維摩經‧佛國品》偈頌之繙譯研究──兼與蒙古文本比較
A Study of the Verses in the First Chapter of the Manchu Version of the Vimalakīrtinirdeśa with Reference to the Mongolian version

窺基《說無垢稱經疏》的解經方法與羅什本詮釋傳統的衝突與融攝
Conflict and Coherence in the Interpretation of Kuiji’s (632-682) Shuo Wugoucheng jing shu

從《維摩詰經》異譯管窺音譯詞歧異的成因
On the Causes for Differences in Transliterations used in the Translations of the Vimalakīrti nirdeśa

新四卷第一期編輯後記

敦煌寫本《維摩義記》抄年代及系統分析
An Analysis of the Dates and Transmission Traditions of the Dunhuang Manuscript Record of Meanings of the Vimalakīrti Nirdeśa Sūtra

《維摩詰經》的宗派詮釋差異：以羅什譯本為核心的隋唐佛教宗 派詮釋的開展
The Development of Buddhist Schools in the Sui and Tang Dynasties: Hermeneutic Difference of Kumārajīva’s Vimalakīrti-nirdeśa

《龍藏．維摩詰所說經》之重修──核心人物及其他
The Revision of the Weimojie suoshuo jing in the Qianlong Tripiṭaka: Key Figures and Other Issues

淺議《維摩詰經》的戲劇藝術特點
A Discussion of the Dramatic and Artistic Characteristics of the Vimalakīrti Nirdeśa Sūtra

中土早期《維摩詰經》的圖像詮釋
Iconographic Evidences Related to the Vimalakirti Sutra in Early Medieval China

民國經懺佛教之省思與批判──青年星雲《無聲息的歌唱》的 「人間佛教」觀
Ritual Buddhism in China during the Republican Period and the Concept of Humanistic Buddhism in Hsing Yun’s Singing with Silence

新三卷第二期編輯後記

誰創造了大乘經典──大眾部與方等經典
“Who Composed the Mahāyāna Scriptures?–––
 The Mahāsāṃghikas and Vaitulya Scriptures”
 

世人の非難を受けて制定された律規定―パーリ律比丘分別を参照して―
The Rules of Discipline Enacted to Deal with Criticisms from Lay People in the Bhikkhuvibhaṅga of theVinayapiṭaka
 

在家信者に対する戒律講義―霊芝元照「為判府蒋枢密開講要義」を中心として
Lingzhi Yuanzhao’s Lecture on Precepts for Laypeople

近現代の韓国仏教における戒律の役割—慈雲盛祐の行跡を中心に—
The Influence of Precepts on Contemporary Korean Buddhism: The Biography of Jaun Seongu
 

Taixu’s Pure Land on Earth and the Vimalakīrti Sūtra

 

以「善巧方便」為核心的《法華經》思想理念及其對當代佛教義學建構之可能價值
An Analysis of the Lotus Sutra Focusing on Upāyakauśalya and its Possible Contribution to the Contemporary Construction of Buddhist Thought
 

論人間佛教的生命教育──天台教觀的詮釋進路
On the Life Education of Humanistic Buddhism: The Interpretative Approach in Tiantai Teachings and Meditation
 

從合本解經到諸本會勘的文獻學釋讀之路──謹以此文敬賀高橋尚夫教授《維摩経 ノートⅠ》一書的問世
The Philological Interpretation: from “Interpretation on Different Buddhist Translations” to “Collation of Different Editions of Canons” Congratulations on Professor Takahashi Hisao’s Notes on Vimalakīrti Sūtra I 維摩経ノートⅠ
 

新三卷第一期編輯後記

東亞佛教：改變中的景色
East Asian Buddhism: Changing Landscape

傳統佛敎可否救贖現代人―― 以華嚴與禪為中心
Can Traditional Buddhism Save Modern People—Focus on Huayen and Chan

漢傳佛教經典與東亞文化共同體的形成
The Formation of Chinese Buddhist Canons and East Asian Culture Community

中國禪與日本禪之異同及其在當代的展開
A Comparison of Chinese Chan and Japanese Zen and Their Contemporary Developments

現代臺灣佛教與印順法師──五大本山與人間佛教的背景一探
Contemporary Taiwanese Buddhism and Venerable Yin Shun: Introducing the Five Great Mountain Monasteries and the Background of Humanistic Buddhism Thought

梵、藏、漢傳本《維摩詰經．佛國品》偈頌之比較
Comparison of the Verses in the Sanskrit, Tibetan, and Chinese Versions of the First Chapter of the Vimalakīrtinirdeśa

《滿文大藏經．維摩經》之繙譯考察及繙譯特色──以〈文殊師利問疾品〉、〈不思議品〉為中心
A Study of the Translation of the Manchu Version of theVimalakīrtinirdeśa Centered on Chapters 5 and 6, “Mañjuśrī’s Condolence Visit” and “The Inconceivable Liberation”

何謂「道場」(Bodhimaṇḍa)?
What Is a “Daochang” (Bodhimanda)?

高麗時期的《維摩詰經》接受：以李奎報禪詩為中心
The Acceptance of the Vimalakīrti Nirdeśa Sūtra During the Goryeo Period: Focusing on Lee Gyu-Bo’s Zen Poems

跨領域研究的瑰寶──普慧《中古佛教文學研究》推介
Treasure of Interdisciplinary Studies—Recommendation on Puhui’s Study on Medieval Buddhist Literature

新二卷第二期編輯後記

杏雨書屋《敦煌秘笈》所見《維摩詰經》及其相關文獻
The Vimalakīrti Nirdeśa Sūtra and Related Texts in the Dunhuang Collection from the Kyo-U Library

羅什譯《維摩經》詮釋傳統的形成及其問題
Formation and Problems within the Hermeneutic Tradition of Kumārajīva’s Vimalakīrti-nirdeśa

鳩摩羅什在所譯《維摩經》中的思想傾向
Kumārajīva’s Personal Thought as Reflected in his Translation of the Vimalakīrtinirdeśa

漢譯佛典禪修詞語英譯問題──「總持」與「陀羅尼」詞義辨析與羅什本《維摩詰所說經》相關翻譯考察
The English Translation of Terms Related to Meditation in the Chinese Buddhist Canon ―― An Analysis of Various English Translations of “Zongchi 總持” and “Tuoluoni 陀羅尼” (dhāranī) Based on Kumārajīva’s Chinese Translation of the Vimalakīrtinirdeśa

《維摩詰經》的倫理學型態是結果主義嗎？──基於「慈悲」與「無我」的批判反思
Is the Ethics of the Vimalakīrti Nirdeśa Sūtra a Type of Consequentialism? ――A Critical Reflection Based on the Notions of ‘Compassion’ and ‘Non-Self’

維摩詰之難題：《維摩詰經》中之交錯結構與否定論述
Vimalakīrti’s Aporia: Chiasmus & Apophasis in the Vimalakīrti­nirdeśa

É. Lamotte的遺產與《維摩經》之研究
The Legacy of É. Lamotte for the Study of the Vimalakīrtinirdeśa

鈴木大拙訪華與北京佛教舊影
D. T. Suzuki's Visit to China and the Past Memory of Buddhism in Beijing

新二卷第一期編輯後記

維摩其人及不可思議
Vimalakirti and Dharma of Inconceivable

『維摩経』と『智光明荘厳経』
Vimalakīrtinirdeśa and Sarvabuddhaviṣayāvatārajñānālokālaṃkāra

試探《維摩詰經》的原語面貌
An Investigation into the Original Language of the Vimalakīrtinirdeśa

《維摩詰經》支謙譯本的點校――兼論該一經本的譯者歸屬及其底本語言
Textual Criticism of Zhi Qian’s Translation of Vimalakīrtinirdeśa With Discussions on the Identity of the Translator and the Language of the Original Text

支謙譯《維摩詰經》中的一些「破格」用法
On Some Unconventional Usages in the Language of Zhi Qian's Translation of VimalakĪrtinirdeśa

漢譯《維摩詰經》文獻回顧及其與中國文學的關係
On the Vimalakirti Sutra’s Chinese Translations, Related Literature and Influence on Chinese Literature

從西域之神到東土隱士──唐宋維摩詰圖題詩之衍變
From a God of the Western Regions to a Hermit of the East: The evolution of the Vimalakirti figure of the colophon poems in Tang and Song Dynasties

維摩詰信仰在中國中古時期的演進歷程與特徵
Discussion on the evolutionary attributes of folk beliefs towards the VimalakĪrtinirdeśa in medieval China

《維摩詰經》的梵本及漢譯本的戲劇文學結構
The Sanskrit Text of VimalakĪrtinirdeśa and the Dramatic Literary Structure in its Chinese Translation

《維摩詰經》論疏考辨──以宋明清時期相關著作為中心
A Preliminary Study of post-Tang Commentaries on the Vimalakīrti Sūtra

《維摩經》藏譯本周邊文獻考察
The Tibetan Version of the Vimalakīrtinirdeśa ― An Investigation of its Related Literature

敦煌隋唐時期的維摩詰經變作品試析及其所反映的文化意義
An Analysis of Sui-Tang Vimalakirti Transformation Tableaux from Dunhuang and their Cultural Significance

新一卷第二期編輯後記

發刊詞 漢傳佛教的昨日今日明日
Chinese Buddhism: Past, Present and Future

序一 走向國際的漢傳佛教
Internationalization of East Asian Buddhism

序二 漢傳佛教學術研究的一畝良田
The Fertile Field of East Asian Buddhist Studies

天地人是人間佛教
Heaven, Earth and Humanity” is Humanistic Buddhism

佛教研究的發展趨勢
Developmental Direction of Buddhist Studies Research

星雲大師青年時期人間佛教思想的幾個核心理念
Several Core Concepts of Master Hsing Yun’s Humanistic Buddhism Thought in His Youth

菩薩戒的人間性格──試論當代人間佛教倫理的重建
The Human Characters of the Bodhisattva Discipline

人間佛教傳燈錄‧茗山學案
Humanistic Buddhism Records of Transmission of the Lamp, Case Study of Master Mingshan

日本佛教研究的現狀與課題
The State of the Field and Several Issues to be Resolved in the Study of Japanese Buddhism

現代韓國佛教研究的方向性
The Direction of Contemporary Korean Buddhist Studies

濟生與度死──論藥師法門與彌陀法門之「稱佛名號」
Extend Life and Transcend Death: A Discussion of “Chanting the Buddha’s Name” in the Teachings of Medicine Buddha and Amitābha Buddha

永明延寿と「教禅一致」──調停者としての延寿像の変遷
Yongming Yanshou and the “Unity of Doctrinal and Meditative Approaches”: The Evolution of Yanshou’s Image as Harmonizer

遺身高僧僧崖傳記研究
A Study on the Biographies of the Self- Immolating Monk, Sengya

近代中國佛教藝術觀念的調適及其反思
Adaptations and Reflections on the Concept of Modern Chinese Buddhist Art

新一卷第一期編輯後記